Today you're going to get a little peek behind the scenes at Red Red. Glamour, this is not. It's the every day, bit-by-bit process of creating, whenever I can fit it in.
This is a sketch. A half-hearted, I-can't-be-bothered-to-fill-it-all-in sort of drawing. Recognise it? It's that four dandelion piece of art (from our large art round-up).
This is paint. My artistic friend, Whitney, who has a background in decorative painting, is mixing up a nice shade using colours from her own walls. Check out the toe-decoration -- and she didn't even know her feet were going to be on camera.
And here's me, slapping it on, crissing and crossing and trying not to listen to the perfectionist in my head. Good job you can't see my toes. I'd be like the Ugly Step-Sister of feet.
The base colour done, I then played around with slightly different shades on top -- a layer of the base colour with more white, a layer of the base colour with less white. The bottom layer wasn't quite dry, it turned out, when I started adding new layers, so I got an interesting texture where the half-dry paint below got pulled along with the brush. I meant to do that. Ahem. Not.
(P.S. By the way, there are three unseen --but very present!-- children in the background, and at all times, one of us was fending off Tilly, who was determined to step in the paint...)
Not wanting to have too much of the pulled-off-paint texture, I'm giving the background a good twenty-four hours to dry before adding the dandelions. But, in preparation, I cut the approximate shapes of the flower heads out of paper towels...
...and taped them to the canvas. (There's no artistic reason for using paper towels -- I was just in the kitchen, and they were handy)
Just like the masters did it. Everyone knows Van Gogh stuck paper towel sunflowers to his canvases before painting...
And I'm sure good ol' Vincent held up his iPhone pic of the art he was copying to check the placement of said sunflowers, too.
Stay tuned! Tomorrow, when it's all dry dry completely dry, I'll add the flowers.