Showing posts with label tan. Show all posts
Showing posts with label tan. Show all posts

Saturday, August 13, 2011

{the pinterest challenge: fine art edition}

So, having finished the background yesterday, I started the painting of the dandelions. Did I wait twenty-four hours? Most definitely not. A scant five hours after painting the background, I found the paint brush back in my hand.

I unstuck the paper towel templates as I painted each dandelion head, but kept them nearby as a guide. With the dandelion seeds, I was going for not too hearty, nor too blobby. I know, all very technical.

In case you're wondering about paints, for the flowers I used Burnt Umber brown acrylic and black fabric paint (I'd run out of black acrylic). I'm not sure that's ideal -- they seemed a little shy at first, and took a good deal of stirring to get comfortable enough to mix with each other.

And, of course, there's the obligatory red. Seeing as the painting's beauty came from its complete lack of colour, the red had to be very subtle. Just five small dots, next to the far right stem. Just enough to make sure my granddad, who always says that every work of art needs a dot of red, is happy.



And before we have the final reveal, I just thought I'd remind you of the inspiration (a painting spotted on Pinterest):



Here is our version (I don't know when Mr Dala Horse crept in there... perhaps, subconsciously, I'm putting a spot of red in all my photos now, too):



What do you think? Passable as something to hang on the wall? Justin's kind reaction was "It could be a tracing!" (a la Michael Scott at Pam's art show) I had to laugh at myself as I was trying to copy the little imperfections from the original -- notice the seeds slightly out of place above the second and fourth dandelions?

It turns out there's a whole movement now of people recreating things they've pinned. To see some of the amazing creations, pop over to YHL's Pinterest Challenge.

Friday, August 12, 2011

{photos of paint in various stages of drying}

Today you're going to get a little peek behind the scenes at Red Red. Glamour, this is not. It's the every day, bit-by-bit process of creating, whenever I can fit it in.

This is me painting a white canvas white. Seriously. Someone once told me that canvases should always be painted white first. I can't remember who, I can't remember why. But as the laundry sat unfolded, the dishwasher sat unloaded, and the baby lay sleeping, I painted a white canvas white. It was sort of zen, in a mindless-task-that-has-no-practical-value sort of way.


This is a sketch. A half-hearted, I-can't-be-bothered-to-fill-it-all-in sort of drawing. Recognise it? It's that four dandelion piece of art (from our large art round-up).


This is paint. My artistic friend, Whitney, who has a background in decorative painting, is mixing up a nice shade using colours from her own walls. Check out the toe-decoration -- and she didn't even know her feet were going to be on camera.


And here's me, slapping it on, crissing and crossing and trying not to listen to the perfectionist in my head. Good job you can't see my toes. I'd be like the Ugly Step-Sister of feet.


The base colour done, I then played around with slightly different shades on top -- a layer of the base colour with more white, a layer of the base colour with less white. The bottom layer wasn't quite dry, it turned out, when I started adding new layers, so I got an interesting texture where the half-dry paint below got pulled along with the brush. I meant to do that. Ahem. Not. 





A little darker in the corners, a little lighter in the centre. According to Whitney, this is how multi-millionaires like their walls painted. Ooh la la.

(P.S. By the way, there are three unseen --but very present!-- children in the background, and at all times, one of us was fending off Tilly, who was determined to step in the paint...)


Not wanting to have too much of the pulled-off-paint texture, I'm giving the background a good twenty-four hours to dry before adding the dandelions. But, in preparation, I cut the approximate shapes of the flower heads out of paper towels...


...and taped them to the canvas. (There's no artistic reason for using paper towels -- I was just in the kitchen, and they were handy)


Just like the masters did it. Everyone knows Van Gogh stuck paper towel sunflowers to his canvases before painting...


And I'm sure good ol' Vincent held up his iPhone pic of the art he was copying to check the placement of said sunflowers, too.


Stay tuned! Tomorrow, when it's all dry dry completely dry, I'll add the flowers.